Michael Ambrosino

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Years at WGBH: 1956–76. Positions: Executive producer, producer, director, writer, Associate Program Manager, on-air correspondent, host of his own program series, superviso, and manager of an array of educational and public broadcasting projects. I spent my professional career in Public Television, first at WGBH where, in 1956, I was hired to start school television for…

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Lillian Akel Ambrosino – in memory

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From Michael Ambrosino This picture and text are drawn from the pamphlet given out at Lillian’s memorial event in 1995. Lillian Ambrosino (1933–1995) — attorney, author, political activist, children’s television advocate, wife, mother, grandmother and all around great human being — is the reason we meet today. She was 62 when she passed away, and…

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Creating NOVA (1971-76)

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From Michael Ambrosino: Science is a part of our heritage, our present culture, and a major force in determining our future. Its absence from television [in the 1970s], spoke to the ignorance of many of its gatekeepers…. Science, medicine, technology, engineering, architecture all impact our culture by determining how we live our lives!

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Going Public (1964-1970)

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From Michael Ambrosino: I’ve never considered myself an intellectual; my memory and thought processes are just not good enough for true intellectual work. I do, however, have an insatiable curiosity and enjoy the world of ideas.

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A world of song

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From Michael Ambrosino: When you think how public broadcasting has changed over our last 50 years, it seems impossible to imagine what will be happening in that new facility in 2057!

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The Money Room: So What?

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John Kerr: The corporate officer I saw was eager to learn about ways to fund PBS programs. John Carver then sealed the deal. That visit led to a grant to WGBH of $300,000 to help fund NOVA.

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Why has WGBH had such an impact? Five views

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Fred Barzyk: “I have asked several long time producers at WGBH to take a crack at the question of ‘Why does WGBH, a local public TV station in Boston, have such an impressive impact on media, culture and innovation?’ What follows are several responses to the question.”

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