Jane Doerfer, 78, producer and author

She wrote cookbooks and was a magazine food columnist. She taught cooking classes and for a time ran a Vermont inn. She had been a WGBH producer and an official with the Massachusetts Council on the Arts and Humanities.

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Bill Cosel: What goes around…

Bill Cosel

From Bill Cosel What goes around, goes around, goes around / Comes all the way back around? 50 years ago, August 1962: As a BU Scholar newbie at WGBH, my first production experience was camera at Tanglewood when Charles Munch gave his farewell concert as Music Director of the BSO, performing Beethoven’s Ninth. Nervous and thrilled, …

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My interview with Andrew Raeburn at Tanglewood

Tanglewood concerts were always an important part of music programming at WGBH. In the summer of 1970, as Erich Leinsdorf was about to retire as Music Director of the Boston Symphony, he would conduct his final concert at Tanglewood.

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The Boston public radio war I

From the Boston Globe – 12/18/2009 A new WCRB, and a shrinking classical dial In a city passionate about classical music, a lot of listeners get their fill by catching the Boston Symphony Orchestra and other programming on the radio… WGBH purchased WCRB this fall, and there is now significantly less classical music on the…

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Baird Hastings, 88, WGBH-FM host

From Thevillager.com Baird Hastings, eclectic music director, dies at 88 Baird Hastings, a conductor, music director, Mozart specialist and longtime Village resident, died May 16 at the age of 88. He was a founder and director of the Mozart Festival Orchestra of New York City, whose affairs he administered from his Greenwich Ave. apartment. Much…

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In a World All Its Own (1955)

From John Nadeau — 3/2007 When we did simulcasts on radio and TV, my station break announcement sounded like this: “This is the Lowell Institute Cooperative Broadcasting Council…WGBH-FM at 89.7 megacycles and WGBH-TV, channel 2, in Boston.” I joined the staff of WGBH-FM-TV in 1955. The two stations identified themselves as “noncommercial and educational” because…

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One Way to Run a Railroad (1946-59)

From Ray Wilding-White: The station was made reality by a bunch of dedicated, overworked and underpaid young maniacs who hardly knew a microphone from a zebra when they started on radio. I know. I was there.

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