LICBC
Why has WGBH had such an impact? Five views
Fred Barzyk: “I have asked several long time producers at WGBH to take a crack at the question of ‘Why does WGBH, a local public TV station in Boston, have such an impressive impact on media, culture and innovation?’ What follows are several responses to the question.”
Read MorePlanning the Next Alumni Reunion
We have begun planning the next reunion, and we need your help! In order to make sure it will be another experience to remember, we need to know your preferences.
Read MoreDonations to the Archives
Larry Creshkoff’s personal papers are fascinating as they document his professional career from his days at Harvard, onto LICBC and WGBH, to his time after he left WGBH in 1957.
Read MoreWGBH Pioneers: Michael Ambrosino – Part 1 (1998)
Michael Ambrosino — the creator of NOVA — describes his early years at WGBH, an era of live and live-on-tape TV productions at the 84 Massachusetts Avenue studio in Cambridge.
Read MoreWGBH Timeline (1946-1978)
From “The first 24 years: A somewhat random compendium of milestones along the way.”
Read MoreThe Lowell Council Ditty (1949)
From Larry Creshkoff [This is] a song from the past. It’s sung to the tune of "There is nothing like a dame" (from South Pacific) and was performed for the first (and only) time at the Christmas party of the Lowell Institute Cooperative Broadcasting Council staff in the library of the building at 28 Newbury…
Read MoreQuo vadis WGBH (1946-2000)
From Don Hallock: It may surprise you to know how many places the station has called home. WGBH’s origins were in a converted skating rink on the second floor of 84 Mass. Ave. and the office spaces on the third, were the first home of WGBH from 1955 to 1961.
Read MoreA Viable Alternative to the “Vast Wasteland”
From Larry Creshkoff — 2000 In his piece, One Way to Run a Railroad, Ray Wilding-White observes that WGBH “…was made a reality with hairpins and bailing-wire by the heroic efforts of a bunch of dedicated, overworked and underpaid young maniacs who hardly knew a microphone from a zebra when they started on radio and…
Read MoreOne Way to Run a Railroad (1946-59)
From Ray Wilding-White: The station was made reality by a bunch of dedicated, overworked and underpaid young maniacs who hardly knew a microphone from a zebra when they started on radio. I know. I was there.
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