WGBH Timeline (1946-1978)
From “The first 24 years: A somewhat random compendium of milestones along the way”
John Lowell Jr., leaves a bequest creating free “public lectures for the benefit of the citizens of Boston.”
The Lowell Institute forms a cooperative venture with six Boston colleges (spearheaded by Ralph Lowell) to broadcast educational programs on commercial stations. Original offices are housed at 28 Newbury Street.
WGBH Educational Foundation is incorporated. Parker Wheatley is first station manager.
WGBH-FM is on the air with a live concert by the Boston Symphony orchestra under conductor Charles Munch.
WGBH-TV begins regularly scheduled broadcasting on Channel 2, 5:30 p.m. to 9 p.m., Monday through Friday. Studio and offices are located at 84 Massachusetts Avenue, Cambridge, with remote cables and lighting at MIT’s Kresge Auditorium (next door) and the Museum of Fine Arts, Boston.
First program: Come and See, “a progra.m. for young children” with Tony Saletan and Mary Lou Adams, from Tufts Nursery Training School. At 6:30 p.m., Louis Lyons, who has been a fixture on WGBH-FM, reads the news before a TV camera for the first time. Transmitter is located (as is FM transmitter) on Great Blue Hill in Milton; thus the call letters.
First BSO simulcast (FM/TV) originates from Kresge Auditorium, MIT, beginning a tradition of musical broadcasts unique in the U.S.
Sunday programming begins, 2:30 to 6:30 p.m.; in May, Sunday hours are extended by moving sign-on to 11:00 am.
Hartford Gunn becomes WGBH station manager.
First “Boston Pops” telecast (from Kresge).
In the Sylvania Television Awards for 1957, WGBH’s Discovery is honored as the outstanding children’s educational series created by a local station. And Louis Lyons wins a Peabody Award for local TV and radio news.
In-school instructional television service commences with eight weekly 6th grade science programs shown “in some 48 separate school systems in and around the Boston area.” In the fall, The 21″ Classroom is formally set in operation.
WGBH acquires its first videotape machine (one of the very first to be sold by Ampex).
Elliot Norton Reviews begins lengthy run.
A high power transmitter (a gift from Westinghouse) doubles Channel 2 signal to 100,000 watts maximum.
WGBH helps set up WENH-TV, Channel 11, in Durham, NH, and the interconnection between the two stations represents the first “network” of educational stations; the Boston-Durham link will become the basis for the Eastern Educational Network.
Eleanor Roosevelt’s Prospects of Mankind, a WGBH monthly series carried on educational and commercial stations around the country, begins with V. K. Krishna Menon of India as first guest.
A Peabody Award goes to WGBH’s Decisions series.
WGBH programs win six Ohio State Awards, more than any other station or network in the U.S.
A fire in the early morning at 84 Massachusetts Avenue completely destroys WGBH facilities. Channel 2 is off the air for all of Sunday, October 15, but, by dint of herculean efforts by staff, and superb cooperation from the community, manages to sign on at the regular time on Monday the 16th. Emergency control room is set up in Catholic Television Center (WIHS), which also lends use of its limited studio space.
For the next seven months WGBH-TV functions as the “diffuse organization” — control rooms at Catholic Center, large-studio facilities provided late at night and on weekends by WHDH-TV on Morrissey Boulevard, films and tapes (some of which have been salvaged from the fire) originated, via network, at Channel 11 in Durham, as well as other Boston stations. Scenic department finds home at Northeastern, arts department at B.U., programming and production offices at Kendall Square, Cambridge. Full schedule of programs maintained.
A film on the poet Robert Frost is begun by WGBH, encouraged by Secretary of the Interior Stuart Udall.
In a major consolidation, programming, production and engineering move to the Museum of Science, occupying the “red frame building” that had been used for construction offices when the Museum was built; space for a studio is found in the Museum itself. FM and some offices remain in Kendall Square.
Three programs on French cooking are produced in a special kitchen constructed in the Boston Gas Company’s auditorium; as a result of their instant success, a full series is decided upon, to begin in 1963. Within a year after that, Julia Child is being seen regularly in New York, Washington DC, San Francisco, Pittsburgh and many other cities, as educational TV’s first nation-wide “hit.” She is also the first in the distinctive WGBH series of “how-to” personalities that will in time include Thalassa Cruso, Joyce Chen, Erica Wilson, Maggie Lettvin, Theonie Mark, the Romagnolis, and many, many others. History is made!
By the first anniversary of the fire, over $1,700,000 has been raised to construct new studios for WGBH; a half million dollar matching grant from the Ford Foundation is the key contribution. Construction to begin in spring, 1963.
National Doubles televised from Longwood Cricket Club in Brookline for first time; obscure Boston newspaperman becomes TV star. [Ed.: This reference begs for clarification. Bud Collins? Please help us.]
Symphony Hall is cabled and lit properly. Henceforth, all BSO and Pops telecasts originate there.
Louis Lyons receives Dupont Award “in recognition of the nation’s outstanding news commentator of 1963.”
Louis Lyons retires as Curator of Nieman Fellowships, joins WGBH staff after a dozen years of news on FM and TV.
The Robert Frost film, A Lover’s Quarrel with the World, wins an Oscar for WGBH.
WGBH-TV signs on from new studios at 125 Western Avenue, Allston. Building is only partly finished, but functional. FM to move in by April, 1965.
Saturday programming begins with the support of the Boston Globe and Record American.
In order to film the two-part South African Essay series, a clandestine organization is set up with money laundered through Texas, a dummy corporation, and a specially trained African photographer, who mails exposed film back to the U.S. as “Zulu beads.” Cover never blown. [Ed.: This reference begs for clarification. Please help us.]
Julia Child receives Peabody Award.
On WGBH-TV’s tenth anniversary, the new building, work complete, is formally dedicated as the Ralph Lowell Studios. In the course of a live anniversary broadcast, Louis Lyons tells a story: Lady from Boston meets a new faculty wife, who identifies herself as from Iowa, and tells her, “My dear, we say ‘Ohio.'” [Ed.: This reference begs for clarification. Please help us.]
Hamilton Osgood comes to offer his talents to WGBH, and is instantly pressed into service planning first Channel 2 Auction, scheduled for June 1966.
Julia receives Emmy; South African Essay receives UPI Tom Phillips Award and is one reason for a special Peabody Award to NET.
First Channel 2 Auction begins. It raises more than $130,000, plays to biggest audiences in station’s history.
June 17 – 18
Channel 2 transmitter is moved to Needham.
Vietnam View-In, a four-and-a-half hour special produced in WGBH studios, includes propaganda films, panelists of all persuasions, a studio audience asking questions, and open telephone lines. Well over six thousand phone calls are counted.
What’s Happening Mr. Silver? begins a year’s run.
WGBX, Channel 44, signs on. The first color cameras arrive: four by the end of the year, two more on order.
Public Broadcasting Laboratory (PBL) begins two-year run on Sunday nights, demonstrating potential of national public TV network.
Following Carnegie Commission Report, congress passes the Public Broadcasting Act, establishing the Corporation for Public Broadcasting, which will lead to the creation of the Public Broadcasting Service (and National Public Radio). Within three years, public TV will have its own coast-to-coast interconnection and simultaneous national programming.
MIT’s Dr. Jerome Lettvin takes on Timothy Leary in debate about drugs and “dropping out.” Filmed by WGBH and broadcast four times in one week, the debate becomes topic number one throughout Greater Boston.
The night after the assassination of Dr. Martin Luther King Jr., a concert at Boston Garden starring James Brown is televised live by WGBH on roughly six hours notice. Worried that the concert might provide the critical mass to set off a riot, and certain that cancellation would be even worse, Mayor White gets the WGBH commitment and then urges people (via commercial radio stations) to stay home and enjoy the show for free. WGBH broadcasts the entire show, and then immediately begins showing it again on video tape, staying on the air until 1:45 a.m. It is shown twice more over the weekend. The Mayor writes that this “contributed as much as any other event to the atmosphere of conciliation which prevailed in Boston this past week.”
Premier of Say Brother, the first regular program by, for and about Boston’s black community.
After a controversial play — designed to help students understand black frustration in white America — has all but rips Wellesley High School apart, WGBH re-stages it (with some 11 words “blipped” to stay within the law) and follows it up with a lengthy discussion among parents, teachers and students dealing with its propriety and meaning. It is front-page news for two days running.
In the aftermath of the University Hall bust at Harvard and the subsequent strike that paralyzed the school, WGBH places 16 chairs around a table in studio A and invites any and all members of the Harvard community to come in and speak their piece. And for five solid hours in the evening, students, faculty, neighbors, and other people keep coming in and sitting down and talking to each other … and all of Greater Boston. [Ed.: This reference begs for clarification. Please help us.]
The Forsyte Saga arrives in the United States. Public TV has an unprecedented success: telephone calls go unanswered, social engagements are rescheduled and life is generally disrupted throughout the country. To cushion the shock in Boston, channel 2 runs each weekly episode three times, Channel 44 an additional five times. Thanks to various repeats of the entire series, the final episode will be seen in Boston for the last time in August, 1972 … nearly three years later. If nothing else, the Forsytes give American television viewers a case of galloping Anglophilia (also known as BBC fever) that soon leads to other things.
The Advocates, produced on alternative weeks by WGBH and Los Angeles’ KCET, makes its debut via a national interconnection of public TV stations. Its even-handed debates on pressing national issues ellicit considerable mail (an early show on abortion brings over 11 thousand pieces), and in the first of its five seasons it wins a Peabody Award.
The voice of the Cookie Monster is heard in the land: Sesame Street, easily the most important children’s program in the history of American television, makes its debut. Shortly thereafter, every kid in the neighborhood can identify can identify the letter R.
Hartford Gunn resigns as General Manager of WGBH to assume the presidency of the new Public Broadcasting Service in Washington. Later in the year, David Ives becomes President and Robert Larsen General Manager.
Evening at Pops’ first summer series brings Arthur Fiedler and WGBH’s Symphony Hall savvy to the whole country.
PBS’ first season begins, with a network of 198 public TV stations coast to coast. WGBH contributes The Advocates, The Nader Report, and a brand new French Chef (in color). Kenneth Clark’s Civilisation dazzles the eye.
Locally, more excitement: The Reporters, expanding the definition of “television news” five nights a week; Catch 44, the first public access TV program in the United States; Dr. Sachar’s The Course of Our Times.
John, meet Sarah. The First Churchills inaugurates Masterpiece Theater, and Alistair Cooke becomes a regular Sunday night visitor.
Jean Shepherd’s America shows what the PCP-90 portable TV camera can do.
WGBY, Channel 57, signs on the air from its studios in Springfield, bringing public television to western Massachusetts. The microwave link between WGBH and WGBY establishes the first state-wide TV network, reaching over 90% of Mass. homes.
The Electric Company arrives to take on the task of reaching problem readers. And reaches them.
ZOOM, WGBH’s revolutionary program for and by kids, makes its PBS debut and the first requests for ZOOMcards come in from all over the country. Within ZOOM’s first two years on the air, more than a million ZOOMcards will be mailed out.
The Advocates, now entirely a WGBH production, moves to Faneuil Hall for its Boston shows (and goes on the road for others).
Are you ready for Lance Loud? An American Family startles the nation.
Death of Robert Larsen.
ZOOM and The Advocates are awarded Emmys.
For the first time, the Channel 2 Auction breaks the half-million-dollar barrier.
The mammoth BBC production of War and Peace marches onto American TV screens (introduction by WGBH).
With the cooperation of the American Broadcasting Company and its affiliates, WGBH’s Captioning Center begins nightly broadcasts of ABC Captioned Evening News for the hearing-impaired.
Philip Garvin’s films of Religious America, produced at WGBH, begin on PBS.
On Masterpiece Theater, Upstairs, Downstairs brings back the bad old days and makes them look good.
Science adventures for curious grownups, some from WGBH, some from the BBC, and some joint efforts, give NOVA a breadth previously unknown on American TV.
Upstairs, Downstairs wins an Emmy as the best dramatic series of the season. And ZOOM receives its second Emmy in two years.
Evening At Symphony demonstrates nationally on PBS what Boston has known for years: orchestral music, even without special guests, makes for exciting television. (Also, Seiji Ozawa wears a turtleneck with his tails.)
A former Advocates moderator, Michael Dukakis, is elected governor of Massachusetts.
The Ascent of Man, Jacob Bronowski’s brilliant bequest, is presented to U.S. audiences with introductions and epilogues by WGBH.
After over a year of preparation and six months of production under conditions that verge on impossible, the WGBH series Arabs and Israelis gets under way on public television.
NOVA receives a Peabody award, with special praise going to the programs produced by WGBH.
Michael Rice, head of programming and Vice President of WGBH since 1973 becomes General Manager.
Channel 2 News moves out of early evening for the first time in 21 years, and The Ten O’clock News is born.
Dying, a cinema verite’ visit with terminally ill cancer patients, moves local audiences, and later the nation.
Club 44 brings live TV back to Boston. The two hour show happens in a pub set in studio A, with live audience and scads of local talent and talk.
Say Brother Salutes Webster Lewis With A Night On The Town, to rave reviews.
Channel 44 cuts the apron strings from Channel 2; within the year, 74% of its programming is unique to it — meaning we nearly double the public TV programs available to local viewers.
The WGBH Declaration of Independence — a major capital drive for equipment and programming funds — goes public. PrimeTime becomes a magazine again after a year as a calendar. ‘GBH radio sponsors the first Boston appearance of legendary Soviet pianist, Lazar Berman; Louis Lyons continues a stellar ‘GBH radio career by launching Pantechnicon, a magazine-format show with Elinore Stout and Frank Fitzmaurice.
Kudos: Upstairs, Downstairs wins its third Emmy in a row — and sixth over all. ‘GBH radio’s The Spider’s Web increases the number of NPR stations carrying it to nearly 100, while wining the Action For Children’s Television Award as “the most positive alternative to television.”
The New York Times is moved to ask, in an August feature article, “what makes WGBH Crackle with Creativity?”
Christopher Lydon takes over The Ten O’clock News; the Boston Phoenix says viewers can now “expect to see lengthier and more professionally produced pieces as the Channel 2 news show moves away from heavy coverage of spot news.”
Ben Wattenberg begins his search for The Real America on Channel 2, and we find the ancient Mid-East at the Museum of Fine Arts and bring it home in Thracian Gold.
WGBH presents tennis for the 15th year in a row and World Tennis magazine says, “For the discerning viewer of this sport PBS is the only game in town.”
Crockett’s Victory Garden maven Jim Crockett’s book of the same title hits the best seller list.
‘GBH radio launches Evening Pro Musica, and a Live Performance series in its own studios – and sponsors another live event in Jordan Hall: Daniel Shafran is the visiting artist.
“Stereo television” takes a giant step forward with improved technology: a new kind of video tape is invented which has a stereo audio track right on it, making the vastly superior sound of FM-TV simulcast an affordable luxury, at long last.
Milestones: Upstairs, Downstairs ends May 1 with a Boston cast party which nets PBS stations nearly $2 million in viewer contributions; and, the series gets its seventh Emmy — making the total to date for Masterpiece Theater an even dozen. Emmy also goes to “ballet shoes” from the Piccadilly Circus series, ZOOM (for the third time!), and a Women’s Special: Rape, by ‘GBH’s own Nancy Porter.
Ralph Lowell dies in May at the age of 87. He founded the Lowell Institute Co-operative Broadcasting Council in 1941, the parent organization of WGBH radio in 1951 and WGBH-TV in 1955.
Awards: Upstairs, Downstairs adds the prestigious Peabody Award to its long list of kudos. Ten O’clock News’ Mike Kolowich captures a Local Emmy for “outstanding news reporting” in his Logan Airport pieces — as the program celebrates its 2nd birthday.
People: Michael Rice departs for the Aspen Institute after a 13-year WGBH career. Henry Becton, Program Manager for Cultural Affairs since 1974 and an 8-year WGBH veteran, moves up to the Vice President and General Manager spot.
At CPB, Henry Loomis steps down and Robben Flemming is appointed to the President’s post. Newton Minow is elected Chair Person of PBS.
Milestones: Public television celebrates its 25th year in March, and, in November, becomes the first network in the country to be linked by satellite.
Two old friends return to WGBH studios: Julia Child to make her first new shows in 5 years, titled Julia Child and Company, and The Advocates returns after a 4-year hiatus to continue the debate tradition begun in 1969.
I, Claudius on Masterpiece Theater earns rave revues; James Lardner, in The New Republic, calls it “probably the best historical drama ever mounted on television.”
After a 2-year run on Channel 44, The Club books its exuberant act on Channel 2.
WGBH provides national and local TV audiences with a feast of new productions, among them World, Solzhenitsyn at Harvard, Mr. Speaker – A Portrait of Tip O’Neill, and three lush specials on exhibits at the Museum of Fine Arts: Thracian Gold, Pompeii – Frozen in Fire, and Treasures of Early Irish Art.
Local debuts include Dancing Disco (a Local Emmy winner), The Photo Show, Sports Weekly, At Home, and the fund raising extravaganza, Disco Dazzler.
‘GBH radio adds new local productions: Mostly Musicals, Folk Festival USA, Artists in the Night with Eric Jackson, MusicAmerica, and Poetry in Massachusetts.
Morning Pro Musica extends its reach to the Big Apple itself where it is heard on WNYC radio.
A fiscal-year fundraising gap is narrowed in a month-long on-air “Race To The Finish,” which includes the second biggest pledge night in WGBH history as the regular schedule is scrapped for a marathon effort — viewers call in with contributions totaling $92,000 in just one night.
[…] Well..turns out that in the fall of 1961, a fire destroyed the WGBH offices and studios, and for sev… […]
From Kurt Blumenau
While reading the WGBH Timeline (1946-1978), I decided to crosscheck the items that are marked “this item begs for clarification” against the Boston Globe archives on Newspapers.com in hopes of providing said clarification. (Presumably no one else has.)
August 1963: The 8/16/1964 Boston Globe mentions Bud Collins doing commentary on the doubles matches from Longwood, and the 8/23/1964 edition has a photo of same, so it seems safe to assume that this refers to Collins.
Late Fall 1964 (South African Essay): The 6/24/1965 Globe reports that nobody from NET was allowed into South Africa to film or report; that film had to be smuggled out of the country (probably what the fraudulent “Zulu beads” shipping scheme refers to); that film crews from other countries had to be hired to shoot; and that the show’s production was “a cloak-and-dagger operation that would do credit to the CIA.”
May 1, 1965: The next day’s Globe reprints Lyons’ remarks in full. While the Iowa/Ohio joke is still unclear, it is made in the context of a lengthy riff about the difficulties of pronouncing geographic names from around the world, as well as listeners who misunderstand them. (Lyons precedes the remark by mentioning that he used to report on the Viet Minh – predecessor to the Viet Cong — only to be chided by listeners who thought he was misidentifying Viet Nam.) In sum: The Iowa/Ohio thing seems to be a dialect/regional pronunciation joke.
April 1969/University Hall bust: Members of the Students for a Democratic Society seized and occupied Harvard’s University Hall. The college, which had previously taken a paternal approach to protest, called in state and municipal police who reclaimed the building by force — an action unpopular with faculty and students alike, and widely believed to have contributed to Harvard President Nathan Pusey’s retirement two years later. I was unable to find a specific reference to the WGBH program mentioned on the timeline.
Hope this entertains somebody.
I was 8 or 9 years old and remember recording a couple of episodes of Spider’s web on the soundstage in Boston. Indelible memories.. I saw Big Bird walking down the hall when I was buying a pack of starbursts from a vending machine and being blown away lol. I think Jouri Hunken was wonderful woman that facilitated that for us kids. I remember driving from Framingham into Boston with the other kids and a couple of our Moms in her VW bus just knowing we were going to have extra special fun. If recordings of that exist I would love to hear them. I think my mom might still have a cassette or two.. hopefully that still work.
“An Evening With Webster Lewis” might be a program you’re involved in. If so, is there a possiblity of getting a video copy? Thanks.
I wrote the last two episodes of “The New Voice” and would like to know if you have any information or access to that series, and if so, how can I find such? Thank you.
Email me your contact information and I’ll follow up with you about New Voice materials in the WGBH Archives.
WGBH Archives Manager